Featured Writers 

from Laura's Classes



Caitlin Reyes Brune: Mom's Purse

  

Sandwiched in the middle of a big Irish family, Caitlin Reyes Brune received early coaching on her writing from her Dad, who spent three and a half decades teaching high school English and coaching varsity football. Well schooled in revision, she nonetheless decided to major in English (and Psychology) at Georgetown University. Profound curiosity, naïve fearlessness, the restlessness of a gypsy, and deep love of the world have inspired travel and work assignments in a dozen countries. Currently, Caitlin writes from Santa Cruz, California, where the surrounding organic farms, magnificent Monterey Bay, and slightly off-beat community offer no end of inspiration. 

Caitlin recently joined The Writer's Journey and is a new member of the Wednesday writing practice class. This was her response to the prompt, "Tell me about someone else's wallet, bag or purse."

Mom's Purse

Always trailing out the back door at least five minutes later than my father found acceptable, the eight of us waiting not-so-calmly in the station wagon, my mom never left the house without her pocketbook. Not to give the impression that she had just one beloved, stylish tote. No, not at all. There was a bag for the weekday erranding and shuttling of children, containing ever-present wads of Kleenex, a hairbrush (round, with plastic-tipped bristles, of course), and assorted market lists tacked to envelopes bearing coupons. Lipsticks crowded the bottom reaches, clattering against each other like discarded bottle caps. There would be a sandwich baggie or two of Cheez-its or pretzels, to stave off bouts of whining. Her wallet, too, overstuffed with discount cards and gas credit cards, slips of paper dotted with mysterious measurements, and her well-organized checkbook. In this pre-cell phone age, that rounded out the weekday pocketbook’s inventory, though there was always room for the spontaneously added extra item, whether rubber band or clump of safety pins, yesterday’s newspaper or last Sunday’s church bulletin, or even the belated thank you card, as yet unwritten.

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Amy McElroy: Missiles by the Monkey Bars

 

Amy McElroy, a Writing Assistant at Gavilan College and a yoga instructor, is a member of the Memory to Memoir Intensive writing class. Recently, her work has been published in Milk and Ink. She frequently contributes her voice and personal essays to First Person Singular on the NPR-affiliate KUSP in Santa Cruz. 

There’s a holy war raging on my children’s school playground, and I’m trying to teach my daughters to survive. 

Children crave identity.  Without an organized religion, I knew our kids would struggle.  Along with spiritual lessons--like why we help at the Thanksgiving soup kitchen and stop to watch clouds pass--we try to teach them about why some friends have menorahs, others don’t celebrate their birthdays, and the politics of religious freedom our country professes to enjoy. 

My husband’s family is Buddhist on his mother’s side, our kids one-quarter Japanese.  We’ve sampled spam musubi at the local temple’s annual festivals while powerful Taiko drummers pounded and wiped their brows.  In Hawaii, we attend services for deceased relatives, chanted in Japanese, where smoky incense floats to the exposed koa beams of the temple.   At annual graveside visits, the girls scrub bronze headstones, shine them with baby oil, and fill buried, metal vases with waxy, red flowers and water.

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Deb Blackmore: Confirmation

Deb Blackmore is a member of the Friday morning feedback group. She wrote this piece in response to the prompt, "Tell me about a moment that changed your life."

I lost my faith on the day of my Confirmation. I had never been very religious, most Episcopalians aren’t, but until that day I gave the Anglican traditions at the Church of the Good Shepherd my whole heart. I loved the pageantry, the thrilling organ music, the old English verses from the King James Bible.  I memorized psalms, sang wobbly solos in the choir and ushered small children up the aisle when it was time to begin Sunday school lessons in rooms smelling of poster paint and paste.

My father stayed home most Sunday mornings with a thick New York Times, while mother shepherded all six daughters to weekly services. We knew that he would have a dozen powdered jelly doughnuts waiting for us when we returned and that kept us going.

The Confirmation Ritual was the culmination of a whole year of sober religious instruction and exciting overnight retreats for twelve-year-olds. We were eager to join the adult club by proving ourselves worthy of receiving the sacraments. The boys were keen to sample the dark red wine that stained our lips like sour cherry candy, but I was anxious about holding the host wafer on my tongue until it dissolved. Rumors circulated about what might happen if The Host, Body of Christ, was chewed. We were instructed to pause just long enough on the hassock, knees together with chin uplifted, for the congregation to observe our piety. I was certain that I had all of the particulars down pat.

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Mira Michelle: Directions to My Heart

 
 
 
Mira Michelle is a member of the Tuesday evening writing practice group. This was her response to the prompt, "Write a set of directions."
 
first you start off with listening
follow the hi-way of conversation
but notice when I stop breathing
pause there
go no further
use your right and left blinkers to make eye contact
watch for the curve of a smile
enter there
and drive forward
 
you will have to loop around and around the cul-de-sac
till you find the locked gate
there you must wait
till dusk come with a hush and 
a young woman brings a silver key of starlight
and unlocks the passageway
 
you may enter slowly
the terrain is rough
with debris from past accidents along the road
discarded tires, broken bumpers
no longer effective at keeping anyone safe
watch for shards of glass
and be careful of the trap door
it can be triggered at any moment,
by not listening,
by taking a cell phone call during dinner,
by one harsh word,
then it snaps open its green rotten wood
and out you go
 
back outside that first locked gate
where you will have to wait once more
for that magic in between moment and the silver key
 
when you return inside you will find again that tangled garden 
I want you to remember you have not yet reached your final destination:
the inner golden sanctuary
keep walking
this garden can be treacherous
full of mirrors and mazes that lead you right back to where you started
 
the secret to making it through 
the foliage and car wrecks and broken reflections
is to gently close your eyes and listen
don't be distracted by the flowery displays around you
or the path with 300 different masks of the same face
smiling, crying, pleasing, angry, passionate
it is up to you to see through them all
 
listen
this place both longs to be discovered, entered
and yet it is also fiercely guarded
by a she-leopard with four inch long teeth
 
the secret again is to listen
move slowly
taking one gentle step at a time
follow the sound of soft laughter
it will guide you through the maze
 
only one who is pure of heart can pass through the final gate
when you reach the entrance 
you will notice the gate itself trembles
at each sound, each word spoken, each touch,
gently gently 
step through this shimmering white membrane
 
and enter a place no other man has been
you will find me there
waiting
 
Mira Michelle is a local visual artist who is discovering her deep love of writing. Her paintings have been published in the We'Moon datebook and calendar. Her work has been showcased with the International Museum of Women. Mira is also an arts educator who has taught art and leadership programs in the public schools. You can learn more about Mira at: www.miramichelleart.com. 
 
 
 
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